How To Hook Up A Hard Drive To A Tv

Milleidee March

E' uscito il nuovo numero di Milleidee e anche questa volta ci sono dei miei progettini. I temi che mi ha proposto Silvia (la mia referente) erano fiori e gatti , la tecnica... lo scrap ed io sono stata ben felice di collaborare anche a questa uscita.

Ecco una card a tema "fiori" colori pacati e carte romantiche e i miei amati rametti che ultimamente metto dappertutto e infatti...guardate la cornice qui sotto...

...rametti anche qui! Vi posso dire che le foto sul giornale sono decisamente migliori delle mie, ambientate bene, con le luci giuste...

E questo è il progetto a tema "gatti", vi chiederete dove sono i gatti... sono all'interno del mini album!! ci sono 7 foto della bellissima micia di Silvia!

Io mi sono divertita a preparare questi progetti ed ora...sono al lavoro con le prossime scadenze tra cui anche il numero primaverile di Country Dreams con qualche sorpresina! 

Grazie per la vostra visita! è importante per me 

Silva

Has Anyone Lost Weight On Kirkland Diet Shake

Lucinda Williams part 2


( continues )

Lucinda Williams performed live for the first time as a folk singer in Mexico City in 1970, introduced herself as Cindy Williams & Clark Jones along with a schoolmate who was playing the banjo . The "turning point" of his career, however, was in New Orleans where Lu was on vacation. He was engaged in a bar in Bourbon Street as folk singer to perform three or four nights a week, was the end of his adventure and the beginning of a busy school musical career. From New Orleans reached San Francisco where it seemed that the world had to change from day to day but the summer of love came when it was closed for a while and circulated by the drug burned more minds ideas. Disappointed, in 1974, took refuge in the quieter Austin. "It was all magical and wonderful in Austin, maybe it was like San Francisco in the sixties but more bluesy. We lived with so little, it was cheap and comfortable, lived with the boys I am staying at home, drank milk, ate natural foods, smoked marijuana and taking hallucinogenic mushrooms. We were playing for pennies on the street corner and then worked as a waitress in a bar. A band called Uncle Walt's Band took me under his protection and gave me the opportunity to open up for them. I could stay there forever but then the scene changed in Austin what was called cosmic cowboy sound. Were fashionable for bands and songwriters choice was to move to Houston where people like Lyle Lovett, Nancy Griffith, Eric Taylor and Vince Bell were creating something new. They were folk singers very hippy chic and it was not easy to fit into their lap. I had trouble finding a record deal because my music was more rough, is torn between country and rock chic and it was not like them. " In 1978 Lu
still moves and goes to Jackson, Mississippi where he recorded his first album at last for the famed folk label Smithsonian / Folkways, later renamed simply Ramblin'On My Mind Ramblin 'which followed three years later, Happy Woman Blues .
The adventure looks set to Lu that distinguishes the epic story of the unnamed many (good and losers) aka Dylan Americans when something happens. After eight years of false starts and a host of small exhibitions in 1984, the artist finds himself in the right place at the right time or Los Angeles fully Paisley Underground. Bands like Lonesome Strangers, Rain Parade, Dream Syndicate and Rank & File take kindly to a cowgirl southern open their concerts with an acoustic guitar and a lot of anger. The name of Lucinda Williams began to go around the city and nation and in 1988 the British label Rough Trade punk guidance offers the opportunity to record a new album. The namesake Lucinda Williams does not make havoc but gives "a first class ticket to Nashville" as Patty Loveless brings in the top twenty of the country charts The Night's Too Long and Mary Chapin Carpenter takes a Grammy with the version of Passionate Kisses, two songs that album. A few years later Emmylou Harris "cover" Crescent City "and" Sweet Old World and the rock seminole Tom Petty will provide a robust reading of Changed The Locks, aggressive song on the end of a love affair that in the original version allowed Williams to get into heavy rotation national radio.
By the way downhill, but Lu does not think in any way to smooth his stormy temperament and non-conformist and do not come to terms with the world record. Too rock for country and too country to be chosen an indie rock, the Chameleon to publish Sweet Old World, kind of sad and not at Nashville, with meditations on death, the regret and the end of relationships. Topics to be always dear to his emotional and cultural baggage, but in the early nineties screeched in hardened rock landscapes of the country and in the sugar world. Basically the same content that will give soul to Car Wheels On A Gravel Road, appreciated that record in their sentimental sincerity also due to a marked improvement in voice and music, with songs that speak of dark beauty of ordinary people who do things but ordinary make these extraordinary moments.
The album received great praise from critics and was awarded a Grammy for best folk album contemprary 1998, reissued today in a stylish deluxe edition is widely regarded as the masterpiece of the artist.
By 2001, Lu introspective Essence gives the depths of his lyrical approach minimalist looking for the 'essence' of the song in a simple melody that leaves overwhelmed. Inner disk and leaden, the Spartan in the sounds and arrangements, Essence is permeated by the moods of the deep south and a religion that sees God and the devil meet on a misery underclass subculture straight out from the pages of the Bible and Fucile lucido libro di Joe Bageant che mette a nudo le miserie e la desolazione dell’America profonda.
Decisamente più elettrico dal punto di vista del sound è invece World Without Tears del 2003, un disco in cui ancora abbondano le sue intense e crepuscolari ballate ( Ventura, Fruits of My Labor, Overtime, Minneapolis) ma in più ci sono chitarre degne dei Rolling Stones (Real Live Bleeding Fingers and Broken Guitar Strings), battute boogie alla John Lee Hooker (Atonement), distorsioni elettriche e un talking blues che suona come una recitazione da poeta della Beat generation (American Dream ) anche se sono in molti a confonderlo in un rap.
Live @The Fillmore del 2005 è un doppio album live di quelli che si facevano in the 70 guitars or a ball, sounds and a voice that is raw anger and sweetness, ecstasy and fury, determination and abandonment. Spectacular guitarist Doug Pettibone, an animal capable of the six strings to give Williams a rock sound worthy of the best Rolling Stones, Williams intense singing as if it were a matter of life or death. But Williams is not the end of the trip on the historic stage at the Fillmore because emotions and other revelations are contained in West perhaps his most innovative album to sound level. West was born from the disappointment of a love gone downhill, an important report and grief over the death of his mother. Dark events that metabolizes the artist in a job that someone could be called if not cathartic even liberating. There are harmonies bucolic, flash visionary worthy of Neil Young's most desert (Unsuffer Me), the hypnotic rhythms (Wrap My Head Around That) built around the coil of the eclectic guitar Bill Frisell, brooding melodies that wander around to become an obsession (Rescue) , rarefied and ethereal sounds (What If) that seem to come out of a Daniel Lanois production, there is Hal Willner (Costello, Lou Reed) as a producer and there are songs that have a melancholy beauty with no escape. The following
Little Honey in 2009 with the new producer Eric Liljestrand steer toward roots-rock and free disenchanted, less elegant than the previous work but spartan and direct, with decisive point hard-rocking style that recall the no-frills, World Without Tears. Emerges the sound of a band that is the quintessence of those dusty roads of the south by the much vaunted Williams, unused to the sophisticated but in line with that mixture of folk, blues and rock that form the roots of the artist: Bob Dylan and Lightin Hopkins , the Cream and the Rolling Stones, Robert Johnson and Memphis Minnie.
For the first time, Williams seems to have left by those dark introspection of his ballads that made it famous, to reach out to the topics of human relationships with an optimism and love never felt before As the same author, Little Honey is brighter than its other work and its blues here radiates a different light. The fact remains that introspection and the ballads are in the DNA of his music, just wait to find them in that Blessed is the work of the artist's more balanced, yet another confirmation of a writer and rocker worthy to sit next to Dylan , Springsteen, Young, Petty, Mellencamp and Steve Earle. MAURO

ZAMBELLINI

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Lucinda Williams part 1


It took thirty years in the ranks of small concerts in clubs, moving, moving house, records and ignored a tumultuous existence before Lucinda Williams took revenge against indifference and corruption the world record and earned the giusto riconoscimento di un duro lavoro. Era l’estate del 1998 quando uscì Car Wheels On Gravel Road e nessuno si sarebbe aspettato che un disco così travagliato e tirato per le lunghe sarebbe diventato il suo primo disco d’oro.
Un storia rocambolesca quella di Car Wheels : la Williams, con in mano un contratto con la American Recordings, aveva cominciato a lavorare al disco in Texas col chitarrista Gurf Morlix, produttore dei suoi due precedenti album ma insoddisfatta dei risultati raggiunti aveva ritoccato le parti vocali provocando la reazione di Morlix che, sul più bello, aveva abbandonato il progetto mettendo in crisi il rapporto professionale e l’amicizia che li legava.
Lucinda Williams he then chose to move to Nashville to get in touch with Steve Earle and his production partner Ray Kennedy. With them, in 1995, had tried hard but did not finish the deal with his fussiness. It all seemed easy, it was so in love with the twangtrust Earle and Kennedy had re-recorded everything again but then the disc at the end, work almost completed, we found a new aera dissatisfied with a product sound too. Steve Earle's record after two weeks had gone on tour suddenly without warning the Williams of the time constraints of its commitments and all these upheavals had attracted the curiosity of the media, never before had so interested in Williams.
again in mid-stream Lu had not lost heart and with ribbons in hand had moved to Los Angeles in a new study where with the help of E-Streeter Roy Bittan had overdubbed the vocals in a series of sessions on the edge of paranoid and obsessive. The album had become a nightmare, producer Rick Rubin do I mix the final tracks but the album suffered a further delay due to negotiations to sell the American label. The Mercury saved the situation by buying the rights of the album, fine-tuned to Nashville and finally published, after many vicissitudes, 30 June 1998 under the title of Car Wheels On A Gravel Road . Today, that record is the calling card of Lucinda Williams.

Lucinda Williams belongs to the ranks of folk heroes can get with a simple song in the deepest intimacy of the human soul, a traveling troubadour with a visceral attachment to what is normally understood as southern culture. Born in 1955 in Lake Charles in Louisiana by pianist mother and father a professor of literature, the life of Lu undergoes a change when her father, Miller Williams, poet and professor at the University of Arkansas today (read the official speech at the inauguration of President Clinton in 1996), in the mid-sixties divorce and take custody of three children. By Lucinda and the other two brats to work before he moved to Mexico and then in South America. Lucinda finds himself living in Mexico City and Santiago de Chile and then in a few years went from Utah to Baton Rouge from Mississippi to New Orleans from Atlanta to Macon. A geographical instability that could leave visible signs of displacement, as sometimes happens to those children bouncing around the world for work of his father but instead to Lucinda Williams gave a kind of joy and elation for the hotel rooms and houses sublet. In addition to accepting them as natural as nomadic spirit that then will be reflected in his songs, turning it into a sharp storyteller "street" attentive to details, locations e alle sfumature psicologiche.
“Quell’infanzia di continui spostamenti non fu traumatica come la gente crede, a me piace l’avventura e penso che ciò derivi da quel continuo movimento che caratterizzò prima gli anni di gioventù e poi la mia esistenza. Il problema più grosso non era cambiare città o stato ma era portarsi appresso ad ogni trasloco la mia collezione di dischi di Donovan, Hendrix, Pentangle, Allman Bros., Byrds, Buffalo Springfield e Cream.”

Precoce nello scrivere, Lu assorbe le influenze del padre scrittore e dello stimolante clima casalingo, naturale che alla fine tutto questo mondo confluisse in uno stile che la artista ha definito “journalistic songwriting”.
literary influences alone would not have been able to produce a rockeuse as if Williams is indeed the next to these there were some real musical passions. The win three Grammys in the categories of country, folk and rock music by the Williams is a reflection of different musical loves of youth: the old bluesmen, Robert Johnson and then Dylan, Jim Morrison, Cream, the Rolling Stones and the Byrds. Lu
early career she used to interpret other people's songs spanning various musical circles but then when he began writing in their various kinds amalgamated in a style that did not pose any differences between different languages. Ballad in a style that has its strength and can rely on a mournful voice, sensual and stoned, suitable to convey that sense of abandonment a bit 'fatalistic in the deep south of Williams' stories are full.
"The more than any other album that changed my life was Highway 61 Revisited by Dylan. A student of my father, a young poet, brought him into my house one day in 1965. Although I was still very young was a real revelation for me, suddenly there was someone who put together the two worlds I came from: the traditional folk music discs from my father, Lightin'Hopkins and Mississippi John Hurt and the creative world the writing of the poets and literature. I started to write to ten years but when I was 12 and bought my first guitar, a cheap Silvertone, I learned to play it just to write songs like those that were contained in that record. "
Someone once said that if it was revolutionary in twenty years when he was at least forty-conformists. So it was with Lucinda Williams. "In my youth I was very restless and rebellious. Some time ago my father gave back all the letters that I wrote when I was twenty, well .... are very striking and eloquent. There are matters that are still proud as when I helped a group of friends in the SDS (Students for a Democratic Society) to distribute flyers on campus and then we were expelled from school because we refused to recite the Pledge of Allegiance in front of the Dean who wanted to punish us. I was restored only because my father appealed a court decision that found unconstitutional the school. In the sixties I was very involved in the antiwar movement. My family has always been a pacifist, my grandfather was a conscientious objector of World War I, could not be otherwise. I remember in 1969 at the age of sixteen I went to the peace march in Washington with a group of students from the University of New Orleans Layola where he taught my father. I remember like yesterday's massive demonstration that even the cold and patios for not having brought a jacket suitable for winter in Washington. My political views have not changed over the years, I have the same ideals of the past, I hate war and I find that still Masters of War is one of the most beautiful songs written on the subject. "

(1 - continues )

Perimenopause Heatwaves

A crescent moon

se guardo in alto c'è ancora la Luna
se guardo in alto c'è ancora la Luna
se guardo in alto c'è ancora la Luna

e qui vicino ho te! (Blasco)

...è proprio piccolo piccolo ma c'è ancora uno spicchio di luna, lo vedete??? e stasera mi sono incantata davanti a questi colori, a questa poesia... e quel puntino in alto a sinistra??? è una stella o un pianeta??? 

Buona notte!!!

Silva

Why Does Crock Pot Food Taste Bad

Another challenge on HDC

Buon 1° marzo care bloggerine!
Questa volta a proporre i colori della sfida mensile sul blog di Hobby di Carta è Mommi e i colori che ha scelto sono marrone, azzurro, rosa e verde, il tema è libero.

Io ho scelto di fare un layout, eccolo qua, l'aria è ancora frizzantina dalle mie parti, ma la primavera si avvicina e mi ha ispirato con qualche farfallina che svolazza sulla pagina, una manciata di fiorellini che bloom on tender green twigs and a few shots of light with mother of pearl buttons and sequins, the photo is my self-timer

If you want to see how they interpreted the challenge my fellow DT go here if you like and subsidiaries.

soon

Silva

Ohio Driver License Renewal Expired

Here's another one!

This should they my "period Mississippi Mud" (moreover, even Picasso had his periods ...) , here's another small object with very simple that I painted this color and then "smeared" with Driftwood and Buttermilk, the branches I have painted with the help of a "stencil" made with a punch of Big Shot, the little heart is of "Molly's Garden" painting with Buttermilk and with some polka dots Mississippi Mud

We had already shown in this post the little hanger below

this box and I speak here , I can assure you that my "period Mississippi Mud" is not finished yet, so I already got a new project a little bit more elaborate!

Now I greet you and I head to the kitchen to prepare pizza on Sunday ... trouble if you miss this once my tradition and my currant!

a hug

Silva

Letter Call Signs Fowtrot Tango

Lucinda Williams > Blessed (Lost Highway)


With ten albums assets Lucinda Williams proves to be the most inspired singer of American rock in recent years, a soul songwriter, a singer's heart and the senses rockeuse arrived with Blessed to blend the two perfectly distinct aspects of his poetic rock, to ballads and twilight melancholy, often written in the wake of strong emotions triggered from grief and loss and that of a rock n 'roll rough and liberating, built on the screeching of guitars and exorcise demons and sorrows away. Blessed is not as innovative West, one of the magnificent title of his catalog, and even as the previous rocknrollistico Little Honey of 2009 but it is a jewel of equilibrium and good songs, some of the best ever written by Williams. It 's a disk where wisdom and experience are able to balance reflection and anger, instinct and reason, offering a requiem and hope songwriter and emotionally satisfied in dealing with the shiny things that surround it. It is not a happy album Blessed but rather the story of twelve short stories of ordinary and not always easy life that lead the listener to share emotions and doubts. Hear Lucinda Williams disc is usually an intense and Blessed does not differ from this because his songs do not give the possibility of distraction, there are no pauses emotional because everything here sounds improcrastinabile, absolutely need even for a few minutes, as if the loss of some verses and notes the general sense of compromise. It begins with the abrupt
time rock Buttercup and understand that inclusion in the production of Don Was next to her husband Tom Overby Williams and Eric Lilijestrand can only improve the work of Little Honey . And so is the spectrum of pain and ways of salvation that Williams has with its edge of the abyss ballads sung with a voice that bites you and your heart will not let you breathe is solved by the sounds in songs that have sipped perfectly a great communicative power.
The guided tour begins in the dark clouds of life with the muffled blues To Be Loved, but there is no anxiety because the winds more hope than ever before and autumn when a piano and lap steel folk music, the poignant lament of the Copenhagen death of Williams' manager, rather than a lump in my throat comes a comforting sweetness almost intimate. It 's the first of a requiem rock reaching peaks of early Tibetan Seeing Black in a memorable electric razor just see Elvis Costello with slashing lead guitar and a Hammond on the anthology struts sacred rage and helplessness triggered by the suicide of his friend Vic Chestnutt. A monumental rock n'roll devastating effect, a worthy companion of the title song, a ballad that comes with the slow and sleepy voice bloodless Williams and then gradually soaring volumes to explode in a 'grand finale, with the guitar (the beautiful Val McCallum), piano and rhythm section that orchestrate one of the most exciting moments of the entire catalog of the author.
If this is the zenith of disk, there are however stars as bright as convince me, another ballad that preaches sound and scratching electric with flowing guitar McCallum as Ugly Truth, which refers to the pessimism of Essence and how the weak and frightened Solider's Song "which tells the tragic story a soldier at war overseas and his wife and son away. And yet that sings Kiss Kiss Like Your fragile beauty, crystalline first colors of dawn, Sweet Love pure and simple as the title The Awakening and whisper night built on keyboards broken in the final acidity of guitar Val Mc Callum, a worthy substitute ' Doug Pettibone unforgettable.

ballads and rock n 'roll, reflection ruvidume and guitar, Blessed is another essential step in an evolution that knows no missteps. Gorgeous Williams.

Mauro Zambellini February

201

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American Landscape (le scalette)

American Landscapes
Every Wednesday from 22:35 to 23:30 on Radio Popolare
Mauro Zambellini boom

Lineup episode of Wednesday, February 16, the first stage of a journey that begins and ends with Delaney and Bonnie with Layla:

DeLaney AND BONNIE Oursel Get Together On Cd The Best Of Delaney & Bonnie (Rhino 1990) BONNIE AND
DeLaney When The Battle Is Over CD From Bonnie Bramlett-Piece Of My Heart ( Raven 2008)
DELANEY AND BONNIE Piece Of My Heart Dal Cd The Best Of Delaney &Bonnie (Rhino 1990)
BLIND FAITH Can’t Find My Way Home Dal 2Cd Blind Faith (Deluxe Edition Polydor 2002)
DELANEY AND BONNIE AND FRIENDS Poor Elijah-Tribute To Johnson Dal Cd On Tour With Eric Clapton (Atco 1970)
THE BLACK CROWES Poor Elijah-Tribute To Johnson Dal 2Cd Warpaint Live (Silver Arrow 2009)
THE ROLLING STONES Gimme Shelter Dal Cd Let It Bleed ( Abkco 2002)
BOZ SCAGGS Loan Me A Dime Dal Cd Boz Scaggs ( Atlantic 1969)

aggiornamenti:

Scaletta della puntata di mercoledì 23 febbraio:

DELANEY AND BONNIE Comin’ Home from CD The Best Of
THUNDERCLAP NEWMAN Something In The Air from double CD Easy Rider Soundtrack Deluxe Edition (2004)
JIM DICKINSON Early In The Morning from CD Dinosaurs Run In Circles (2008)
JIM DICKINSON Wild Bill Jones from CD Dixie Fried (1971)
LUTHER DICKINSON & The Sons of Mudboy Where The Soul of A Man Never Dies from CD Onward and Upward (2009)
EDDIE HINTON The Well Of Love from CD Cry and Moan (1991)
EDDIE HINTON I Got That Feeling from LP Very Extremely Dangerous (1977)
DELANEY and BONNIE Never Ending Song Of Love from CD The Best Of
DELANEY and BONNIE Going Down The Road Feeling Bad from LP Motel Shot (1971)
RICHMOND FONTAINE Incident a Conklin’ Creek The CD from Fitzgerald (2005) JOE COCKER
Intro / Honky Tonk Women from Mad Dogs and Englishmen double CD Deluxe Edition (2005)

Lineup episode of Wednesday, March 2:

JOE COCKER Feelin 'Alright from MAD DOGS & ;
Englishmen Joe Cocker The Weight
from Mad Dogs & Englishmen (Deluxe Edition 2005)
ERIC CLAPTON Blues in "A" from Eric Clapton (Deluxe Edition 2006)
ERIC CLAPTON ERIC CLAPTON from Let It Rain (Deluxe Edition 2006)
ERIC CLAPTON ERIC CLAPTON Midnightfrom After (Deluxe Edition 2006) JJ CALE & ERIC CLAPTON
Heads In Georgia from THE ROAD TO ESCONDIDO (2006) ERIC CLAPTON
River CLAPTON from Runs Deep (2010)
GEORGE HARRISON All Things Must Pass from All Things Must Pass (2001) GEORGE HARRISON
Let It Down from All Things Must Pass (2001) and Bonnie DeLaney
Move Em 'Out from THE BEST OF (1990 )

Lineup episode of Wednesday, March 9:

Delaney & Bonnie Will The Circle Be Unbroken from LP Motel Shot (1971)
Derek and the Dominos Layla box from THE LAYLA SESSIONS (1990)
ERIC CLAPTON Layla Unplugged from CD COMPLETE CLAPTON (2007)
Derek and the Dominos Anyday box from THE LAYLA SESSIONS (1990) Derek and the Dominos
Mean Old World from box THE LAYLA SESSIONS (1990) Bobby Whitlock
Free and Easy from LP ONE OF A KIND (1975)
SMITH BESSIE Nobody Knows When You're Down and Out from CD MARTIN SCORSESE PRESENTS THE BLUES: BESSIE SMITH (2003)
Derek and the Dominos Little Wing box from THE LAYLA SESSIONS (1990)
DEREK AND THE DOMINOS 2CD Live at Fillmore from Crossroads (1994)

( radio radio )

Office 2003 Source Corrupted

Creattiva Bergamo

From tomorrow opens its doors to the spring edition of "Creattiva" that promises better and interesting, Roberta, and I there Ilaria Alternative Press booth Hobby Charter and every day will offer mini-courses.

Below I show small previews of 3 projects

Mini album Roberta Friday 18

The course (duration 2 hours) will be repeated twice during the day at 10.30 and 14.30

My Explosion box Saturday 19

The course (of duration of 2 hours) will be repeated twice during the day at 10.30 and 14.30


Mini album Ilaria Sunday 20

The course (duration 2 hours) will be repeated twice during the day at 10.30 and 14.30

We are waiting just to say hi!

Silva

Levanta Cola Brazilian Jeans

American Landscapes su Radio Popolare


Since February 16 from 22:35 to 23:30 every Wednesday until June by the frequencies of Radio Popolare will lead American Landscapes -scenes of American music. The case of broadcasts of American rock and grouped by subject area with three or more betting on the same scenario and scan time past / present. Brief talk, told some stories and lots of music in both CD and vinyl with a literary asides possible by the special guest Marco Denti. It begins with
Crossroads roads that cross or by a group of Delaney and Bonnie through to get to Layla Clapton, Blind Faith, JJ Cale, George Harrison, Black Crowes, Leon Russell, Joe Cocker, Duane Allman etc etc.
The lineup with the titles of the songs and albums of every broadcast network will be put on the blog's place Zambo (zambosplace.blogspot.com) who will also be the place for your opinions, your criticisms and your suggestions.
I hope to do a good job. Good Listening.

Mauro Zambellini

( here are the steps ... )

Cheats R4 Pokemon Soul Silver

Bear's Love

Just to show that I still use the brush ... I finished teddy bear on the chopping Maxine Thomas, an old project but I like it a lot and I do not know how I leave it in the drawer of UFOs for so long, however, are happy to have taken up and completed, for me always a pleasure to paint Maxine!

Softly I'm taking confidence with my blog, these days I went to re-read the old posts and I thought that after all this is also why you need a blog to hold ... our memories and thoughts of a particular moment that is shared and then ... I'm always there for when you feel like it!

I'm going to bring my cagnolone to make their first stroll of the food ... the penultimate of the day, then we have one before bed!

hug you all.

Silva

What Stores In Wi Sell Abena X-plus

Il Grinta


This evening I saw a preview of the remake of the famous westerns of the 1969 Henry Hathaway then The Grit starring John Wayne in the old one-eyed sheriff Rooster Cogburn with a young man hired by the owner to capture the murderess of her father. The new version is by the brothers Joel and Ethan Coen, the sheriff is played by a great Jeff Bridges always more comfortable in these parts of the battered outsider after roles in Crazy Heart as Big Lebowski and the Texas Rangers to help Rooster in the enterprise is a revitalized by Matt Demon care of Eastwood Hereafter. Verbose, enjoyable, and a little grotesque 'crowds, the film is an excellent example of new-western, hyper-realistic when you kill without warning, clearly visionary in the final when on a starry night by flash psychedelic dream-Rooster Cogburn in killing the wounded horse middle of nowhere on the prairie and old, tired and drunk takes on his shoulder, the young Mattie Ross in the throes of a delirium from snake bite and reached the hut of a medicine man who can rescue her. Twilight in the shape of Rooster, a sheriff who has nothing heroic than to reluctantly accept an impossible task in which it can do only two things which is really good: unleash his trigger-happy and drinking whiskey in splendid isolation, without which no man could object to the higher law of his rough ways and his vagabond existence, the film is a Coen brothers Sam Peckimpah of the new millennium where is pleased to violence even if it is distributed generously and where there is no difference between good and evil beyond the needs of the moment and opportunity that history offers. Ironic, funny, even if it draws on modern landscapes and photographs of almost a classic western, cut to focus on the psychology of the three protagonists and their interference character (from the disputes between the anthology old sheriff agnostic of surplus "is no longer for old west" as guaranteed tamed by lawyers and Texas Ranger, rampant and a little 'dude man of the new law that goes on) True Grit is dusty cinema-quality engineering and recklessness, that should be enjoyed in the original language to appreciate the real boom boom of the American guns and items burned, burned, and the characters roche, real spectacle in the show, starting with the amazing Jeff Bridges a sort of primordial Tom Waits rinsed whiskey in just price of bootleggers. A film worth seeing if you love the cinema, the western and rhythm of rock ballads. The soundtrack is chartered Burwell (Nonesuch) and the novel that inspired it is a real man to Mattie Ross by Charles Portis.

Mauro Zambellini February 2011

Is The Venus Embrace Good?

Every promise is a promise ... I remember a few posts ago I said that I had received gifts from my friend Manu ? here today I managed to take a decent photo at least one of the two, the most recent one, here it is in all its splendor ... consider that the inscription was cut from the tunnel with Manu! but it is not wonderful?? thanks dear friend, I love you, but when I do these gifts do you want to ++++++++++++++++ ;-))

... no but you tell me what is beautiful??

And now I hope to take a decent photo to another gift, I immediately placed on the cabinet of the tavern and have not yet managed to make a picture that is too "yellow "...

soon

Silva

Fotos Do Rádio Cobra 148 Gtl Dx

Every now and then ... Live Laugh Love Tests

Occasionally review of here! Surely this blog lately is languishing a bit, not that not doing anything, even of little things I've done and how many projects have in mind ... maybe too much and the days pass so fast ... or maybe I've become a bit slow?? Today
Blog Sarah I read your post and I recognized many things, many times I asked why my virtual space, what is its purpose? certainly the one to share ideas, a showcase for my work, some advertising, made me know for sure, not only virtually, so many people, I found friends that I would never have met otherwise ... but sometimes I I feel as oppressed by quest'angolino ... I would certainly consider it like a diary to allow certain moments that I remember, but I've never been good even with the diaries as a young girl!

However, waiting to see what I want to give and what I expect from my blog, I show you a couple of self-portraits that I like and that I used for the pages of January and February of 2011 scrap my calendar, I decided that every month will use a photo of me taken in the same month

and this is the page in January, the light is horrible during the day but I always forget to take, for that of February I am committed to do better!

I'm finishing up painting the teddy bear, chopping Maxine Thomas, was one of my UFO work and now I'm finally to end the draft and will be a next year and finally ... photo of the gift that made me long ago my friend Fiore, a container desk swivel Making Memories ... not beautiful? course is over on my work table in the craft room and was immediately filled with a lot of little things.

care Well now I greet you and give you an appointment soon .. . I hope!

Silva

Angela Pitts, Desnudfa

Gregg Allman > Low Country Blues (Rounder)


I did not believe until I heard the new album but Gregg Allman is really nice. Suspected that exercise was the usual kind of a star on Sunset Boulevard and instead Low Country Blues exudes passion and inspiration is not as remote from going to Gregg Allman Laid Back or since 1973. I speak of course of Gregg Allman's solo band because in the meantime with the musician in Nashville has continued to work wonders. Laid Back was permeated with a hard soul and beautiful ballads Southerners, Low Country Blues as the title suggests is instead of a hard blues, deep, heard, played without spectacle and bombast but intense beyond all expectation. Registered
before Gregg Allman was undergoing a liver transplant because of a tumor, Low Country Blues enjoys a superb production (T-Bone Burnett, according to Gregg the only one able to give him enthusiasm after the death of the trusted producer Tom Dowd) that stands out more with the additions with subtractions that an interpretation based on the heart of the blues, on a wide-ranging knowledge and skill with which you can bring up a more traditional music that was born in a rather complex study registration. Nothing
assoli plateali, nessuna ricercatezza formale, nessun esercizio vocale d’effetto, la voce di Gregg continua ad essere calda e pastosa, negroide anche se non più brillante come un tempo, i suoi interventi strumentali, con la chitarra acustica e con l’Hammond B3, pur misurati al millimetro suonano come una delizia per chi richiede un blues profondo, maturo, caldo, avvolgente, un blues che ha solidità di una quercia e la fluidità di un bourbon. Sia che risponda al beat di Floating Bridge di Sleepy John Estes, sia che riprenda con nuove vesti il classico di Skip James Devil Got My Woman , sia che porti in scena la potente I Can’ Be Satisfied dell’amato Muddy Waters, sia for establishing a dialogue with its past (Midnight Rider) through the verses and sounds of new Just Another Rider or wave decor gospel My Love Is Your Love the sound of the West Side of Chicago, Checking on My Baby Otis Rush, Low Country Blues gives joy, beauty and wellness.
Gregg Allman is superb, nothing in the Low Country Blues reeks of standard and routine, the way Rolling Stone is transformed almost beyond recognition, or what appeal there is jazz in Tears, Tears, Tears are signs of Amos Milburn artist still in love with his art despite the years, the deaths, the experiences are not always happy, health.
T-Bone Burnett has created around the team of musicians Gregg Allman best you could hope for, people interested in the collective result and not the exhibition entrance, people who shared moods, feeling, intent, spirit together. Dr. John with the divine plan even if we go and look between the lines, Doyle Bramhall II, a guitarist who deserves a separate article, also saw its contribution to the recent Clapton, the brass section, found in some tracks, the beatification of 'urban blues, Dennis Crouch on bass with the real architect of the sound of ancient and modern, this wonderful low country blues.
A round of applause also to the striking cover photo, those trees, those colors twilight and the streets wet from the rain that are worth more than a review nell'esemplificare the mood of this beautiful record.

Mauro Zambellini January 2011

Murmur Of The Heart Dailymotion

Social Distortion > Hard Times and Nursery Rhymes


lives in excellent health rock n 'roll rebel offensive and Social Distortion, one of the most clearly anti-social of American rock. Born in 1979 in the suburbs of Los Angeles Social Distortion became one of the most fracassone and infamous act of Orange County punk scene of allying with Germs, Black Flag, the Dickies, Circle Jerks to what was in the hardcore of the late California seventies. Their debut album dates from 1983 (first There had been a bit 'of individuals and a few appearances on compilations) with Mommy's Monster Lille and did everything he hoped for a future unless the recalcitrant leader, singer / guitarist Mike Ness is pitted in a tunnel of hard drugs that first forced to disband the group and then to squeeze into a busy rehabilitation heroin. Crowned by a return to the scene in 1988 with Prison Bound, SD's second album and first approach to those roots that follows the homonymous album, the group will take on an original version of Ring Of Fire by Johnny Cash. Social Distortion
Gradually moving from hardcore to punk-tinged country, blues and rockabilly, so much so that Mike Ness for some time after the prints give a splendid solo effort Cheating At Solitaire with a monumental version of Dylan Do not Think Twice. Social Distortion
I will create a sound tense, nervous, rocknrollistico, a sort of urban Jason & The Scorchers with massive infiltration of Stones first manner, confirmed the shooting Backstreet Girl "and" Under My Thumb.
Since 1990 will be four albums released by the SD, some with titles, White Light, White Heat, White Trash and Sex, Love and Rock n'Roll , who make no secret of their vocation for the breach. But beyond that, and this è la novità, nelle liriche di Mike Ness spunterà una adesione verso banditi, sbandati e gente tagliata fuori dal sogno americano con riferimenti espliciti verso il gangsterismo rurale della grande depressione e lo scenario proletario della southern California.
Una dimostrazione di questo approccio arriva da Hard Times and Nursery Rhymes dove Ness si libera del ribellismo solo estetico per approdare ad un duro punk-a-billy dalle sfumature sociali dove le chitarre veementi e urlate (Ness e Jonny Wickershaw) ed una sezione ritmica killer (il basso di Brent Harding e la batteria di David Hidalgo Jr.) servono come viatico per un rock n’roll vivo, barricadiero e senza compromessi.
Introdotto da uno strumentale (Road Zombie) in chiave tarantiniana e garage, Hard Times and Nursery Rhymes brucia energia ed elettricità come una Harley a pieno regime, è potente, viscerale, diretto, insolente come una canzone degli Stones, arrabbiato come un folk di protesta, disperato come un country di Hank Williams, veloce come un cow-punk degli Scorchers.
Dal repertorio di Hank Williams viene estratta Alone and Forsaken ed è l’unica cover del disco perché il resto è tutta farina del sacco di Ness, dal turbinio di gangsters di Machine Gun Blues ai ricordi sui bei tempi andati di Still Alive , dai miraggi del deserto di Bakersfield ai sogni di biker di Far Side Of Nowhere to the gospel of amphetamine Can not Take It With You .
Against the backdrop of their bloody southern California (California hustel and flow) Social Distortion sound like the Clash of the new millennium, are dirty, wild, dangerous and tattooed blues, absolutely necessary.


MAURO ZAMBELLINI January 2011

Why Did Viscera Change His Name

Near where I work is a Garden that also sells items for the home country, sometimes I like a ride to rub your eyes and on Friday I went ... the moment when I saw this written I could not resist, I did not think twice ... bought!

I like too and I quickly found a niche in my craft room, what do you think there well? Well let's say the buffer pincushion by Marypoppins takes his, I like it so much quest'angolino!

Last Saturday my friend Manu gave me a gift that I absolutely make you see, but have not yet managed to photograph it with a decent light and you must One moment of patience have yet to tell the true gifts that made me have two, one even dating back to my birthday and makes a fine show itself in my basement, I had photographed this ... but believe me that I can not find where I stored my photos? I get mad ... I keep promises to dip into the archives of the computer but I can not never find the time! but you are messy like me?

Okay now I greet you, I pitted, pitta, pitta ... and I have scrapbooking, scrapbooking, scrapbooking!

kisses

Silva

Antique Book Stores In Toronto

shooting

to do a bit of practice I tried to do some shots to some objects in the house ... color or black and white?